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Showing posts with label new music review. Show all posts
Showing posts with label new music review. Show all posts

Saturday, 18 February 2012

Anomie Belle - Slither

Anomie Belle’s new single, ‘Slither’, follows November’s ‘Machine’, a single widely cited as an important part of the soundtrack to Occupy Wall Street. ‘Slither’, a collaboration with Sneaker Pimps’ Ian Pickering, suggests she's since got her hands on some chill pills - this one's much less urgent, a new age, floating down the river kind of track. Frictionless and sleek in its dynamics, it’s both unchallenging and subtly sophisticated.

Belle chews her words in a strange sort of way, with tones, pronunciations, and articulations the conventional singer wouldn’t go near. In a way it’s very similar to what Joanna Newsom does, but in place of Joanna’s folky innocence Anomie has a cool similar to Bajka (known for her work on Bonobo’s ‘Days To Come’).
‘Slither’ might not have the punch of protest that ‘Machines’ brandished, but its understated presence has a tender, almost surreal beauty. With its gentle gongs and House Of Flying Daggers strings towards the end, this is the sort of track Buddhist monks would be swaying to if they’d entered the iPod age.

Monday, 2 January 2012

Ice Choir - Two Rings


20 years after it landed on our planet, synthpop is still being sneered at from behind guitars and analog mixing desks in many corners of the music world. And true, there's something questionable about a totally simulated orchestration of sounds spewing out romantic goo - its about as convincing as the serenades of a starry-eyed robot. However you can't accuse the music of not having character - the fact that the character’s simulated doesn't prevent this, it’s actually the reason it has character in the first place.

"Two Rings", the debut single from Ice Choir, sees leading synth-tweaker Kurt Feldman jump ship from his shoegazing past to embrace synthpop head-on. Despite having his feet firmly planted in the legacy of bands like Talk Talk and Tears For Fears, this release sees sugary, saturated production that's much more technically evolved than its classic 80's forefathers (although it shamelessly incorporates most of the clichés - for the example the novelty snare reverb tail), and sees a strong New Order vibe woven in. Feldman's voice is smooth and unchallenging - almost like another synth line. But then synthpop fifty years after the advent of the synth isn't meant to be challenging, it's just a pleasant reminder of our past.

Thursday, 8 December 2011

The Orchard – Dead Town EP

Their name may lead you to assume that they’re whimsical yodelling milksops with more beard than bollocks, but don’t be fooled – The Orchard will have your guts for garters. Their debut release, full of menacing, claustrophobic riffs and paint-stripping snarl, finds an unlikely balance between raw fury and chemically slackened sludge. They sound like Black Flag on thorazine, or Kyuss if someone had set them on fire.